Customer Review: Why did they paint on the Delacroix?
As with most all uber-hyped pop albums, this one doesn't go deep and raw enough to be fantastic (if it did, it would make too many enemies). However as chart toppers go, this one is straight from the heart, and will remain on my playlist for a long time. Chris Martin singing 'you didn't get to heaven, but you made it close/you didn't get to heaven, but you aaa.... (almost?)' is hard to forget. all songs have a crunchy revolutionary anthem feel that fits Martin like an old leather coat. One that i'll be wearing for a while.
Customer Review: If it wasn't so overhyped, I might be less critical...
Coldplay is good. They're better than most. Most rap, most country, most rock and DEFINITELY most pop. But Viva la Vida is extremely overexposed, and Coldplay have long been riding a tidal wave of mediocrity over the heads of the consumers. Regarding their most recent release, the lyrics are interesting, the melodies pretty, the songs epic in scope, but rather pedestrian when all the synthesizers are stripped away. Chris Martin has a nice voice, but not an inspiring one. But, then again, the same might be said about U2, and look what they've accomplished. At least Coldplay aren't a ripoff (well, yes, they do bear more than a passing nod to U2, but I mean ripoff in the "you've been robbed" kind of way)...at worst you might feel like you spent too much on the CD - you won't be wondering why you bought it in the first place. I probably wouldn't be so critical had I not been expecting considerably more from their new CD. The song "Viva la Vida" was stuck in my head by about the fifth time I saw the stupid iTunes commercial. It's arranged in a way to make it a depaparture from typical pop/rock drivel, and I like its bass pulse: solid without being bombastic. Nice layering of sounds, but it sounds canned overall. There are a couple of tunes that sound like they borrowed a page from Sgt. Pepper (but who HASN'T borrowed a page from Sgt. Pepper?), and a few that suggest to me a hasty trip from concept to final mix. HOWEVER, if you think I'm being overly critical, you should hear my rants about 99.9999999% of the rest of the music that I have been subjected to and tortured with over the years. Overall, I'm pleased by Coldplay's latest. I give it 7 points for every single track being worthy of repeated listens, 1 point for the single "Viva la Vida" having the incredible capacity to get stuck in your head, minus 2 points for the CD as a whole not living up to the hype, but I'm giving those 2 points back as extra credit for still being better than most of what else the recording industry attempts to shove down our throats. 80%. That's a solid B. Good effort.
According to the normal public as well as those who are financially sound, the definition of rap instrumental is something that dwells unconsciously in everybody's mind and has a somewhat literary effect though doubting on its originality. As an accepted fact, though it is one of the fastest spreading music's in today's world, doubt still reigns on its artistic effect.
This sort of music can be produced with or without a beat in any rhythm, provided it produces acceptable results. It's a fashionable or stylish music, so as to say, and its field is doubtfully divided among lyrics, song, prose and poetry. Rap instrumental music is said to have originated from West Africa and Jamaica and its is also known to be the originator of Celtic music.
Traditionally, there used to be rap battles, where Gaelic people got drunk and started to compete for the most insulting, humorous five-line poems having rhyme schemes, otherwise knowns as limericks, and the one who loses would have to buy the next round of drinks. A Scottish form of rap instrumental, "puirt a beul", was the predecessor of mouth organs. Rap instrumental was not influenced directly by the Scottish and the Irish because all its originators were African American.
And its believed that, in true form, rap instrumental has originated from America. A number of American instrumentals like jazz, rock, funk, etc were said to have originated from a mixture of the Celtic and African music, with a touch of Gaelic melodies. Rap instrumental come under the same category, so as to say. It gives stress on mouth music, vocal improvement and rhythm.
Rap instrumental had a great hand in the improvisation of the hip-hop culture. Initially, it began to be played in the street parties thrown in some particular area in New York in the 1970s by the Jamaicans and the sorts. These sort of parties laid the stepping stones for variety and paved way for authentic enjoyment. These parties organized a "dance hall", something sort of a disco and had a "Master of Ceremonies" who would go up on stage and hail encouragements in beat with the DJ to redeem and excite the excite the crowd for more fanfare and enjoyment. With the passage of time, these kind of encouragements started lengthening and became more and more complicated in the form of poetry formed vocally and finally this type of music came to be known as rap instrumental.
Right from day one, rap instrumental is known to be accepting music from different states and religions without bar.
One thing that is very different about rap instrumental is that, its never sung, its always chanted or spoken with rhythm and music, making it seem like a song. No original music, no musicians, no instruments are required to create music for rap. All it needs is bits and pieces of already existing music and sounds here and there joined together to create a melody. The lyrics in rap is always simple to understand, energetic, repetitive and usually apt in making loud and harsh noise. And these lyrics praise the existence and art of rap instrumental.
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90's dance music
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